Search results for " pinakes"
showing 3 items of 3 documents
Dioscuri spartani, Dioscuri beotici: alcune testimonianze iconografiche
2017
The paper discusses an iconographic type recorded on a series of pinakes from the Mannella sanctuary at Locri Epizephyrii portraying two young horsemen (one has a lyra, the other a kantharos) in front of a female figure. This is thought to be the variant of a more common type representing the Spartan Dioskouroi with a shield and phiale. The attributes of the horsemen (kantharos and lyra), unusual for the Tyndaridai, have been interpreted as a reference to the educational value of music and symposia relating to the male element within the context of wedding rituals held in the sanctuary. The lyra, however, may not be a simple element to enrich the meaning of the image, but rather an attribut…
Which Dioskouroi? On some Locrian pinakes with music-themed iconography
2016
The paper considers an iconographic type attested to in a series of Locrian pinakes, showing twins on horseback (one of which has a lyra eptacorde, the other a kantharos) in front of a female figure (type 8/35: ASMG S. IV, III, 5, fig. 34); this is considered a variant of a more common type with the Dioscuri on horseback with shield and phiale accompanied by a woman (Elena, Aphrodite or nubenda?). Without prejudice to the identity of the pair of twins, it was found that the variant would intend to emphasize a particular aspect of the male world personified by the Spartan Dioscuroi, namely the paideutic role of music for the male party of the nuptial rituals (recently, summarized in A. Belli…
Πλησίον τοῦ τείχους. Aree di culto rupestri e ‘vie sacre’ presso le mura nella Sicilia di età classica ed ellenistica
2020
The niches hewn in the rock in proximity to city gates and-walls are a recurring trait of the peri-urban landscape of Sicilian towns, especially in the south-eastern part of the island. Niches are pierced too, in multiple rows, on the walls of former quarries, in most cases close to the city walls, or in artificial caves used for cultic purposes, as inscriptions and traces of offerings testify. The excavations of Paolo Orsi in the latomie of Syracuse and Acre, in the rock or cave sanctuaries of Noto and Acre itself, and in the upper terrace of the theatre of Syracuse, suggested the main recipients of such worship were some “minor” deities like the Nymphs, the Muses or the Paides, and above …